Album: Back to the Basement (2010)

Song: Rollerdog

Bitrate: 320kbps

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Formed in 1982, this New Hampshire group ambled their way through the 1980s, recording a few singles and compilation tracks along the way, most of which were collected on Lookout's A Day Late and a Dollar Short. Before recording their first full-length studio album, Grow Up, the group finally settled on a permanent lineup consisting of singer/guitarist Joe King/Queer, drummer Hugh O'Neill, and bassist B-Face. Grow Up was released on a small English label called Shakin' Street, which promptly went belly up after only 1,000 copies were pressed.

Screeching Weasel frontman Ben Weasel got Lookout label owner Larry Livermore to sign the Queers, and in 1993 Lookout released the Ben Weasel-produced Love Songs for the Retarded. Love Songs was followed by a yearly salvo of bubblegum punk, from 1994's Beat Off to 1996's magnum opus Don't Back Down, the best late-'70s-era Ramones album the Ramones never recorded.

After a long bout with brain cancer, O'Neill died on January 21, 1999; Later Days and Better Lays, issued that spring, assembled unreleased Queers material recorded during his tenure with the band. B-Face next left the band, and after signing with Hopeless Records, the Queers went through various lineups as King remained the only constant.

2000's Beyond the Valley... marked the first studio album since O'Neill's death and, somewhat fittingly, was a relatively darker album than the rest of the band's prior catalog. A string of releases followed in the early 2000s, including the Today EP, Live in West Hollywood, and Pleasant Screams. A split with Manges appeared in 2003, and the classics collection Summer Hits, Vol. 1 was issued the next fall.

Recorded live during a two-day stint at Bernie's Distillery in Columbus, OH, the Queers next released the aptly titled album Weekend at Bernie's in May 2006. The record featured King joined by Teen Idols' Philip Hill on bass and Dave Tervino on drums. That same year, Asian Man Records began reissuing several of the band's classic albums (remixed and remastered), starting with 1993's Love Songs for the Retarded.

In February 2007, and also via Asian Man, the Queers released Munki Brain, their first album of new material since 2002, while the band commemorated their 25th year of immaturity with the DVD The Queers Are Here, which was chock-full of live footage, interviews, and music videos. The reissues continued into 2007.

Now, the Queers are back with a brand new studio album titled Back to the Basement. Recorded in Atlanta, this release offers up thirteen tracks of blistering punk rock. Joe Queer says, "Ben Weasel sequenced it, HogLog Rehab was on drums, Dangerous Dave on bass, and I was on guitar and mean vocals. We recorded it in about 23 hours from start to finish. That included writing a few songs in the vocal booth when we took a coffee break."

This new album will continue their legacy as one of the pioneers of this genre. Mike Park of Asian Man Records states, "Back to the Basement sounds like a follow up to Love Songs for the Retarded era QUEERS."

Joe says:
"Back to the Basement is the best album we've done since I was on speedballs many years ago. It has songs about titfucking and knowing GG Allin. It's an instant classic, plus it's kind of catchy in places. We broke out Black Flag Damaged and listened to that and TV Party and wrote this album. The cd version includes White Minority by Black Flag actually. Stuff that in your pipe and smoke it you hipster punks."